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I always used to put fairies in the same bracket as all those other creatures endlessly recycled from the grand bazaar of the magical and the marvelous.
Each of our imaginations is unique and impossible to replicate, or so it seems to me; they are like personal storerooms, or intimate sanctuaries.
So it is that -- in all of our minds -- there are strange creatures, enchanted forests, and miniature worlds. What I had never accepted was the idea of fairies or elves moving from inside one head to another.
Why should we play host to creatures invented by other people? But stories change us. And there are some encounters that flip us onto our back like tortoises, forcing us to wake up and listen.
Turning round and round inside you, until you die Keep it hidden in the grass. De Fombelle did a pretty great job of speaking for himself.
Was it that there is just so much more beautiful and powerful prose elsewhere in the book that a lack of a high impact passage at the end made it seem relatively weaker?
Was it a lack of a gorgeously romantic interlude or a particularly complex action sequence to give an overwhelming emotional catharsis or climax?
Perhaps, but probably not But ultimately I think the biggest problem with the novel is the narrator who ends up serving as the framing device.
The book begins with a 14 year old boy stumbling upon the hidden home of the displaced fairy-tale kingdom prince who has been stuck in our world since the late s.
For several chapters, they interact, and the 14 year old boy is treated as the main character of the story, speaking in the first person. On top of that, there are just a few too many random details included about the man he has become that are neither particularly sympathetic nor engaging.
If it is the latter, he might well have a masterpiece out there, already written or still to come Jan 31, Dani - Perspective of a Writer rated it it was amazing Shelves: Check out more reviews Perspective of a Writer A boy meets an old man through an odd series of events which haunt him his entire youth.
Because of that meeting he plays an important role in two star crossed lovers Ilian and Olia story. First the story is made of mystery and moonbeams.
The mysteries literally stack one on top of another and you can only breathe long enough to follow where they lead you. Somehow the translators captured the complex writing of the original author bravo!
Third, a masterful fusion of fairy tale, historical France during WWII and modern formatting techniques. In fact I barely mention Joshua Pearl and instead point out another boy I would have preferred the luggage of the original cover as the story is told through the eyes and knowledge of a boy at almost present day and the mystery of the luggage is quite compelling!
I DO understand why they did the cover like this trying to capture the fairy tale nature to the story that links everything together.
It further confuses you though once you enter the book, expecting one thing and getting another. I do quite LOVE the title though and the cover design could have gone with the marshmallow bakery for the cover instead of the luggage.
Either way, the enchanting aspects of the story could have acted as a draw for the book WAY better than the butterfly fairy.
The POV is complex. The narrator of the story is a boy who meets an old man early in the book and is sucked into the mystery of the man and his quest.
They have recounted their stories to the boy and he is telling us. In fact the narrator is unreliable as to whether his conclusions are correct or not.
It reads like a historical account. We LOVE to read and write about history. It more about the magic of their journey and how things came together for that specific someone.
I outlined my reader reasons in my first impression, the storycraft reasons in my 3 point why and now for the writing Laini Taylor is the queen of heavy prose.
The more lyrical and wordy the better for her and the more words she uses the denser and more weighty the writing style. Somehow in this book its magical!
Brilliant prose and excellent storycraft mixed with winning characters swept me off my feet Thanks to NetGalley and the publisher for providing me with a copy in exchange for an honest review.
It has not influenced my opinions. See my special perspective at the bottom of my reviews under the typewriter Thanks goes to NetGalley, as well as the translators of this edition, Sarah Ardizzone and Sam Gordon for this advanced copy which is expected to be released on February 06, The Book of Pearl is exactly as the title of this post suggest: So much happened that it does not cease to amaze me how the author was able to keep up with the overlapping times, characters and even worlds, and then somehow blur the initially disjointed stories together.
Where can I even start? Not even the story itself begins at the beginning, nor at a place where the reader can really relate.
It definitely was a fairy tale, with fairies, magic and the impossible becoming possible. However, it was just so scattered.
I felt really disengaged and found it hard to relate to the characters and enter the story world, or in this case, worlds.
It took this long for me to really get a grip of what was going on. The plot though…goodness…the plot! How can I even begin to talk about a a plot that was in another plot, that was in yet another, which was basically the first does that even make sense?
Everything that happens all revolves around a fairy and her love for a prince-never-to-become-king. This was the cutest part of the story, as both suffered and struggled, often risking death and being trapped in the demons of their own mind to find each other again.
That was basically what the book was about, in short terms. I like this, but then… but then…. But then there is history. And then there comes the romance.
Someone is after someone who is also after someone else, trying to kill someone in another world. And then there are the objects to help the prince remember what the other world made him forget.
And what about the whole Marshmallow thing going on? Of all the parts of the story, this was perhaps my favorite as it added a sweet, candy land twist to the rest of the drama going on.
Marshmallows made with almonds and sweet cream, enough to drive in lust-seeking woman, hard-working laborers, and rebellious troublemakers after school.
The writing was delicate and very thorough. And I do not mean this as a praise. Verwijder de inruil om de Pixel toe te voegen aan uw winkelwagentje.
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